Saturday, 7 April 2018

Adonis and the Fake News Crusade

Andrew Adonis is currently using his significant platform to attack the BBC, calling it the 'Brexit Broadcasting Coorporation' over what he deems to be the biased favourable coverage of Brexit. He cites the lack of coverage of pro-remain events and the 32 appearances of Nigel Farage on Question Time as examples of this pro-Brexit bias. This crusade has had him lock horns on Twitter with Nick Robinson over the issue. Guido noted Lord Adonis had tweeted 72 times about this apparent bias in the space of a week, it is clearly an important issue for the New Labour giant. It isn't concerning to see an individual accuse the BBC of bias, people on the 'political correctness gone mad' side think it's pro-left, Corbynites think it has a vendetta against Jeremy Corbyn, a large element of the pro-Indy movement in Scotland believe it to be biased in favour of the Union. 

What's concerning is that Lord Adonis is a significant figure, particularly to political centrists, the group who have largely stayed firm in defending the BBC even if we are sick of seeing Farage on Question Time. In this era of fake news, of people proclaiming their distrust of the MSM (mainstream media), of protests outside BBC Scotland's buildings in Glasgow, of fictionalised stories from alternative news sources being taken as gospel by whichever group that story is designed to appease the beliefs of, in this time of all of that seeing a centrist big hitter crusading against the BBC it gives a sense of legitimacy to the radical anti-MSM elements of society. He is telling people it is ok to ignore uncomfortable truths, to dismiss them as lies. 

I'm vehemently opposed to Brexit and unapologetic in my beliefs that we should have a second referendum on the issue. I'm biased on this issue. As I am on pretty much every issue I've spent any time learning about. That means when something on the news or in a paper comes out that doesn't conform to the biased world view I've got it is difficult to take on board. I understand why people want to shut it down, but that isn't how news works. News isn't there to conform to my bias, nor to Adonis' bias. Adonis isn't attempting to change the BBC, he is trying to sow the seeds of doubt in the minds of his Twitter followers or readers of his articles. If Adonis says the BBC is biased against my position, and I felt initially as though it was biased, maybe it is. It isn't me that's wrong, it's the children, as Pirnciple Skinner might put it. This is a dangerous path, one that leads to fake news, to important issues being ignored and dismissed and for the echo chambers of modern politics to be emboldened even further. 

Monday, 9 January 2017

Corbyn and Immigration

With Jeremy Corbyn's decision to U-turn on immigration, apparently part of the new strategy to create a left-wing populist movement with Jeremy at the helm, he makes a few key mistakes. His first mistake is talking about it at all. Labour are best on immigration by acting left-wing but saying nothing, unless absolutely necessary, and even then only speaking vaguely and not getting too bogged down in detail. This is essential as it is the issue that pits the parties two main support bases against each other, the working class, and the liberal, metropolitans. As we have seen with the Unite election, being hard on immigration plays well with white working class voters and so to appeal to that base an anti-immigration policy makes strategic sense. But unlike Unite Labour owe their electoral successes to another group as well, the aforementioned liberal base. To them the immigration issue is a red-line one, they are the anti-Brexit brigade who consider anti-immigration rhetoric to be the most vile politics that exist within our system. To appeal to both groups on the issue is very very difficult and the best answer for Labour is to try to avoid the topic.

But the leader has waded straight in, and in doing so is angering the metropolitan liberal types, like myself, and crucially, like most of his supporters. It may look like good politics though, to appeal to the working class when we are fighting UKIP in our northern heartlands and with a crucial by-election looming. Perhaps this will broaden our appeal with those who might otherwise be tempted to vote for UKIP or an increasingly hard-lined Tory party. This, however, is not the case. It comes across as insincere and nobody who feels angry about immigration is going to believe Jeremy actually means it. He is therefore angering one part of the parties support base in order to appeal to another who won't actually believe him anyway.

This is made even more problematic as it damages the one positive that has come from Jeremy's leadership, taking votes from the Green voting left. I don't believe for a second that we can win an election based on gaining green votes and those from the dissilusioned non-voters alone, but I welcome every new member and supporter and voter we can get. Appealing to them isn't enough, but at least it is something and credit where credit is due, Jeremy is convincing a few former Green voters to come to us. But how will they greet this news? They are as aghast by anti-immigration politics as the metropolitan base. We convince new people to join our party and quickly start banging on the drum that is most abhorrent to them.

In short Jeremy is managing to appeal to nobody with this change and alienate his own supporters and many others within the party. All for a policy idea that we know he does not actually support on the topic most difficult for our party. If this is the first step of the left-wing populist movement I am fearful for the next,

Friday, 18 November 2016

Reading Dares for Book Week Scotland

To celebrate Book Week Scotland the Scottish Book Trust are challenging anyone who is brave enough to do one of their Reading Dares (you can find yours here). Being an avid reader and fan of anything challenging I thought it would be a great idea to do a few of these dates and celebrate Book Week Scotland in style. I will update this blog with the Reading Dares as I complete them.

Dare 1:

My first dare was to ask for a book in a bookshop through the medium of interpretive dance. I decided Moby Dick would be a good choice as dancing as a whale and as someone on a boat didn't seem too intimidating. I walked into Blackwell's in Edinburgh and tried to decide if I was actually brace enough to make a fool of myself in public. At the downstairs desk there was a queue so I decided to walk upstairs and saw four people behind the desk, but a large area that would become my stage. I nervously walked towards the desk and was asked if they could help me. This was it, was I going to do this, really?

'I was looking for a specific book.' I sort of stuttered out.

'What book are you looking for?'

Ok, now or never, now or never. I began by half leaping and trying my best to imitate a man on a boat looking for a whale, before trying a terrible attempt at dancing whale style. I finished my performance and asked 'so, do you have it?'

Thankfully they were aware of the reading dare and seemed to enjoy my somewhat odd interpretation of Moby Dick, though my interpretive dancing could evidently do with some practice as they didn't know what book I was looking for. But I did it, it was exhilarating and I'm very thankful to everyone there for letting me get Reading Dare number one done!


Dare 2:

A less embarrassing dare for number two is to read an extra story or book to my daughter every day. Generally I will stick with her reading books but for the first one I couldn't resist introducing her to 'Sunset Song'. She's got a good track record of finding books already though.




Thursday, 4 August 2016

ZC: The Wind Waker

Loading up my original Gamecube copy of the Wind Waker I was surprised to see my first save was from way back in 2003. It seems incredible that this is a game I first played 13 years ago, but it still seems like a recent game to me. I remember it so clearly and fondly, yet I was basically a seasoned Zelda veteran by the time I first played this game.

Starting a new save I am greeted with a great opening sequence which gives some background to the legend of Zelda and Link. Once this is over a young girl is crying out 'Big Brother' and Link is found in his usual state...asleep! Watching the cel shading it seems incredible to think how controversial this was at the time. I cannot imagine this game in anything but cel shading. Pre-HD this still stands up as having good graphics. The scenery is colourful and detailed.

Pretty quickly the game jumps into familiar Zelda territory as you are given your green robes and you set about outset Island and learn the controls. Having got about half way through A Link to the Past over the last few days it's taking a little getting used to the controls. One of the few things about this game I dislike is the 'c' stick being in reverse. I find going forwards to be quite difficult and it lets the game down somewhat. However the pure joy of the setting and the colour more than make up for it. Whilst it may not have the instant action of A Link to the Past it does have a warm start and the loving family element is classic Zelda. It feels warm and you really care about the characters.

Saving Tetra is again enjoyable and the light teasing she provides fits in well with the light-hearted warm elements of the Zelda games. Playing the initial stages it reminds me more of Skyward Sword than any of the other games, there's a warmth that is somewhat lacking in some of the other games which I think are an essential part of the Zelda universe. It works so well because, like in Skyward Sword, it makes you care. When you see your sister taken away by the bird it hurts. She has given you her most prized possession for the day and followed you up the mountain and is taken away. You care. It's something the Zelda universe can do brilliantly and it adds a great personal element to the wide-ranging narrative of the legend.

You leap off the mountain to try to save your sister from the bird, but to no avail, and you suspend from the top of the mountain, held by Tetra's hand, but you know you need to save her. This one's personal. And you get to sail with pirates. Yep Zelda with pirates. And some people don't like this game!

Monday, 1 August 2016

ZC A Link to the Past: The Dungeon in the Castle

'Help me... Please help me. I am prisoner in the dungeon of the castle.

My name is Zelda'

As far as opening lines to Zelda games go, this is probably my favourite. Zelda is met with a terrible fate and it is up to...your uncle to help save her. Unfortunately for him, but fortunately for us and the Hero of Time your uncle is utterly useless at saving princesses from castle dungeons and barely makes it into the entrance before failing. He tells you off, gives you his sword, and presumably dies. We are left wondering why he bothered in the first place, and when I think of my uncle I view this to be the most accurate occurrence ever in any video game I've ever played. The worst thing about your Uncle is he doesn't actually say what he's doing, he casually departs the house one day saying 'Link, I'm going out for a while' as if he's popping out for milk!

Anyway, he dies, he gives you his sword and that's it. The action has started. You are in a dungeon, full of guards who want to kill you and it is your job to try to save the Princess, hurrah! I mentioned in my first blog of my concurrent playthrough of Skyward Sword that it was probably my favourite beginning to a Zelda game. A Link to the Past is tied for second alongside Ocarina of Time purely for this reason. No faffing about, enough of a storyline through the cutscene before the game starts to give you context, a suicidal uncle, and it is up to you to save the Princess and save Hyrule from the evil wizard. Excellent.

A Link to the Past is the first Zelda game I ever played, and probably the one I've played the most. Because of this a lot of it has proven to be very familiar and hasn't been too taxing to remember what to do, where to go and how to do it. I found Zelda, I took Zelda to the sanctuary and...is that? The Master Sword! This is it! No, this can't be it, too bad. Yep, did it all. Found the old man, and started the Eastern Palace, where I am now.

What strikes me, replaying this, is the richness of the music. I've chosen two tracks to represent this, firstly the familiar overworld theme, a classic Zelda song (and my ringtone). The second is the Eastern Palace theme. It's creepy, it's unsettling and it helps create a division between the dungeons and the overworld. In the next blog on LTTP I'll put in a more detailed report on the Eastern Palace, but for now, sit back, relax and listen to the joy of LTTP's music.


ZC Skyward Sword: The Beginning

Of all the Zelda games I don't think there is one which has such a full and enjoyable opening sequence as Skyward Sword. Being introduced to Zelda early on there is genuine warmth between the characters and their friendship feels real. Zelda is a childhood friend of Link's, and is not a Princess. This equal social status allows them to have this bond and the first inklings of romantic feelings between Link and Zelda.

Starting the new game I was instantly struck by the lush impressionist art style of the landscape. It works fantastically and holds up against HD graphics of current and contemporary rivals. The grainy views of the distance make sense with this unique graphical style. It also creates an impression of it being distant yet warm. It made me feel like the game was taking place long in the past, which in the Timeline it is.  My first introduction to Skyward Sword's Zelda was fantastic, she teased Link for his laziness and it created a lasting impression of friendship. Later in the game, when Zelda got lost, I felt genuine sadness and wanted to save her. This isn't Mario trying to save a distant and un-relatable Princess Toadstool, this is your friend who is in danger and you are the only one who can save her.

Exploring Skyloft, the island in the sky, was a joy to behold as well. The characters feel real and rich. Skyloft is probably the single most in depth town in the Zelda universe. There is so much to explore and so many new and familiar characters. The greatest, naturally, is Groose. He is the jock who loves Zelda and is jealous of your bond with her. He also has the slickest pompadour in Skyloft.

There's a lot about Skyward Sword I'm not a huge fan of, but the opening part of the game I think is fantastic and is probably the best of any in the series. It takes the best elements from other two I like the most, A Link to the Past and Ocarina of Time. Ocarina had the storyline and the chance to explore Kokiri Forest. A Link to the Past was straight into the action. With Skyward Sword there is an element of both. Which brings me to the final, and most enjoyable aspect of my playtime on this save so far: My Loftwing. The giant birds that Skyloft's residents fly through the sky. The motion controls may be often criticised, but they worked perfectly for me. Flying on the loftwing is great fun and the race against Groose and the rest was fantastic. It's the closest I'll ever get to being a Seeker on a Quiditch pitch.

All in all, so far, brilliant. I remember why I loved this game so much when I first played it. I have just arrived at the Sealed Grounds and my next post will likely detail the first temple, but I will finish this with the theme from the true star of Skyloft:




Sunday, 31 July 2016

The Role of the Scots Language and its place in Education

Whether Scots is even a language, rather than a dialect of English, remains controversial. According to a 2010 study commissioned by the Scottish government suggested “for most adults in Scotland, Scots is not considered a language.” The study found that 64% of people felt that Scots was either not a language, or merely a dialect of English, compared to a minority of 29% who considered Scots to be a language. However simply because it is not widely considered a language by the majority of the population, does not necessarily mean it is not a language. The biggest difficulty in determining the status of Scots is the lack of clear criteria as to what makes something a language rather than a dialect. Scots is clearly similar to English, yet there are distinct differences that separate it from the English language. Both are West Germanic languages that developed simultaneously and due to similar immigration patterns to Scotland as to England, they developed in similar ways. Arguments in favour of Scots being a legitimate language largely fall into two types, the first compares Scots with other languages and the second looks into the history of the Scots language. Scots was used by law-makers and officials in Scotland prior to the Union of Crowns in 1603. Noblemen, officials and even the Kings of Scotland spoke in the Scots language. ‘The Kingis Quair’, widely thought to have been written by James I of Scotland is written in Middle Scots, an older form of the language. These two lines from ‘The Kingis Quair’ are a good example of Middle Scots: “Of this and that, can I noght say quharfore,/Bot slepe for craft in erth myght I no more.” This languages has similarities with middle english (‘y’ replacing ‘i’ in ‘myght’ for example), yet has its own distinct set of grammatical rules that seperate it from English. The ‘quh’ before ‘quharfore’ is one such distinctly Scots example. ‘Quh’ was used as an alternative to ‘wh’ in middle Scots and is utilised as such throughout the quair. This rule can be further observed in the poetry of Alexander Montgomerie. Montgomerie was writing in the late 16th century, but the ‘quh’ rather than ‘wh’ is still utilised by the poet. “Quhen with a quhisk sho quhirlis about hir quheill” Middle Scots continued as a language for far longer than Middle English did. It was not until the Act of Union that Middle Scots shifted to modern Scots.
Proponents of the argument that Scots is a language, such as the Scottish government’s education website, point out the similarity between Norwegian and Danish. ‘Scots Online’ a website dedicated to the promotion of the Scots language, provide an example sentence in Norwegian and in Danish. First in Danish: “Kan ikke brukes i forbindelse med dimme utstyr eller elektronisk av og på mekanismer. Ikke egnet til bruk i helt lukkede armaturer.” Compared with Norwegian: “Kan ikke bruges i forbindelse med lysdæmper og elektronisk tænd-sluk-ur. Ikke egnet til helt lukkede armaturer” Norwegian and Danish are as similar as Scots is to English, if not more so, yet, as Scots language proponents establish, Danish and Norwegian are considered distinct and separate languages. Danes and Norwegains can understand each other, with little difficulty. The same cannot always be said for native Scots speakers and some English speakers. Scots occasionally have to modify their speech to be understood by those with little knowledge of Scots. According to proponents of Scots being a language, this implies that if Danish and Norwegian are legitimately separate languages, then so to are Scots and English. Yet this still does not conclusively prove that Scots is a language. Denmark and Norway are separate countries from one another, and each use their respective languages exclusively at official level. Both languages have standardised dictionaries and grammatical rules, neither face the problems created by a lack of defined standardisation that Scots faces.

Both the argument from history, and the comparison with other languages provide compelling arguments in favour of Scots being a language, but they are by no means conclusive. When compared to other regional variations of English, e.g. the traditional Yorkshire dialect, there does not appear to be any difference. The traditional Yorkshire dialect (that is now sadly almost non- existent) was as distinct from English as Scots is, if not more-so, yet few would argue that Yorkshire is a language. Similarly the language spoken in the North-East of England shares as much with Scots as it does with English, and has an entirely unique set of linguistic rules and words, again ‘Geordie’ is considered a dialect, not a language. The one difference between these dialects and Scots is that Scotland is considered a nation. Historically it was a separate country entirely, and many proponents of the Scots language argue that as Scotland is still a separate nation (albeit one in a Union with the rest of the UK), Scots is therefore separate on a political level. Whether the status of Scotland as a nation, and Yorkshire as merely a region, affects whether the respective dialects are languages or not is unclear. Without a specific definition as to what makes something a dialect and makes something a language it is difficult to determine. Whether or not it is a language is unclear, however it is currently recognised as a language by both the Scottish and British governments, so for the rest of this essay I will be working on the assumption that Scots is, indeed, a language. However even if it is not a language, the case for it being historically significant is sufficient evidence to its place in schools. Scots has clearly been significant in both the history and culture of Scotland, and it would be a case of double standards to omit the learning of Scots merely because of the inconclusive nature as to its status. Whilst 64% of Scots, according to the study mentioned above, may not believe Scots is ‘really’ a language, 55% of Scots believe the language/dialect should be taught in schools.

It is worth questioning whether there is a political agenda behind the increasing role Scots is taking in education. It is not a coincidence that this increase in cultural nationalism in education is occurring under a nationalist government. This is clearly the case. Whether this is occurring due to a genuine belief that cultural nationalism is important, or due to a notion that increased cultural nationalism will lead to increased political nationalism and thus help the current government win support for their core philosophy, is less clear. Anne Sobey, in her essay, establishes that: “It is recognised in Scottish nationalist circles that, without an increased sense of ‘Scottishness’ which would allow cultural separation from England, political independence would be difficult to achieve.” This begs the question, is the increased role of Scots (and other aspects of Scottish culture) in schools an attempt to create cultural separation from England? It is worth comparing Scots with the other non-English language of Scotland: Gaelic. Gaelic Medium Education in Scotland is being increasingly promoted by the Scottish Government, to the extent that last year they published their intention of setting up Gaelic education in every state primary school in the country. This may be a case of the government’s nationalist agenda being used to foster a cultural separation between Scotland and England. Unlike Scots, which is legitimately spoken across the country, Gaelic is confined to very small, sparsely populated parts of Scotland. Gaelic has not been spoken in lowland Scotland for centuries, and parts of Scotland have never spoken Gaelic. Encouraging Gaelic medium education in areas of the country that are predominantly Gaelic speaking should be encouraged, and every effort should be put into helping the survival of the language in these areas. Yet Scots is a different matter.

Nationalism for political benefit is potentially the driving force behind increasing the teaching of both Scots and Gaelic in schools. For Gaelic this creates the problem of an unimportant language being taught to people who have no background or cultural ties to the language, yet Scots is clearly different. Scots is spoken across the country, and 85% of people in Scotland speak Scots to some extent. Unlike Gaelic, Scots is clearly a language that has practical use and is utilised by most Scottish pupils on a day to day basis. Although nationalism for the sake of nationalism in education (and generally for society) is a negative thing, if it helps deliver education in the language that many Scots feel more familiar with, then (in this case) it is clearly beneficial. Anne Sobey notes this in her essay: “A huge gap exists between the Scottish experience and the English language”. Without the use of Scots there is a fear of creating a two-tier linguistic system for pupils, who are forced to learn in a language that is not, necessarily, their first language. There has been little research done looking into the impact of conducting lessons in Scots to pupils who speak Scots as their first language, however what little there has been has wielded positive results. One study by Matthew Fitt and Cathrin Howells, which looked into the impact of Scots being taught at a Glebelands Primary School in 2005 showed an improvement in the behaviour of pupils Scots speaking with low attainment levels. It is clear that teaching children in the language that is more familiar, or native to them, is beneficial.

Although there are clear benefits to teaching Scots, there are practical difficulties associated with the language. The biggest of which is the lack of standardisation. Unlike English, which went through a continued process of standardisation, dating back to Samuel Johnson’s A Dictionary of the English Language, Scots has had no real standardisation. Dictionaries have been created and compiled over the last few years in an attempt to remedy this problem, however Scots still lacks a complete formal code that other languages have. The most comprehensive dictionary in Scots, the Dictionary of the Scots Language, contains Older Scots, Middle Scots and Modern Scots words, yet includes words from every dialect of Scots. This provides another problem. Scots is made up of many regional dialects, which differ considerably from one another. The Doric dialect of the North East of Scotland, for example, is distinct and separate from the Glaswegian dialect. Take the English word ‘child’ for example, in Glaswegian the correct term would be ‘wean’, yet in Doric it is ‘bairn’. Similarly words such as ‘loun’, ‘quine’, ‘muckle’, ‘fit’, and ‘ken’, all commonly used in the Doric dialect, are not understood by native Glaswegian speakers. All exist within the Dictionary of the Scots Language, however. This is problematic as there becomes no clear distinction between one form of Scots and another, rather the collection of Scots words is a collection of different dialects that are not heard together. The sentence ‘The wean is a quine’ is a sentence using Scots words included in the dictionary, yet it is a sentence that would be heard neither in Glasgow (due to the word ‘quine’) nor Banffshire (due to the word ‘wean’). Teaching Scots one must be careful to ensure that the Scots language being taught is one that is local and makes sense to the pupils in the local area. The benefit of learning Scots in a school in Keith would be lost if the Scots taught was one resembling Glaswegian, rather than the local Doric dialect.

Another significant problem faced with teaching Scots, is linked to the lack of standardisation, and that is how to write in Scots. Scots has not been a written language in any meaningful way for centuries. Although poets have written their poems down in Scots, there are huge discrepancies and differences in how it is written. ‘To a Haggis’ by Burns provides one example of written Scots: ‘Fai fa’ your honest sonsie face’. Burns makes use of the apostrophe in “fa”, something which modern poets or Scots writers would not do. The government education website advises “An apostrophe tells us that something is missing, but in Scots words like greetin, daein, lowpin, snawin etc, there is no missing letter g”. Tom Leonard makes use of the lack of standardised form of Scots by writing in a completely different way: ‘iz coz yi/widny wahnt/mi ti talk/aboot thi/truuth wia/voice lik/wanna yoo/scruff.” These examples are both legitimately Scots, yet entirely different from one another. Teaching Scots, without firm grammatical rules or standardised spelling, is difficult. Yet standardising spelling and creating one correct form of the language is something that linguists are unwilling or unprepared to do. There is a risk that much of the fluidity or natural flow of the language could be lost if certain ways of writing or spellings of words are declared incorrect. Education Scotland are aware of the difficulties presented in writing in a language with few fixed rules, and simply advise consistency. There is a potential problem with teaching pupils to write in a language which does not have any rules, and there is a fear it may have a negative impact on their English writing, a language with a fixed orthography. Interestingly though, according to a study by Celia Craig, conducted in Westhill Academy in Aberdeenshire, the use of Scots actually helped pupils grasp linguistic concepts. She claims “Scots clearly emerges as an enhancing element in pupil acquisition of language and linguistic concepts.”

A further practical difficulty with Scots is pupil’s difficulties in differentiating between Scots and slang. According to the study mentioned above, conducted by Celia Craig: “The S5/6 response at the focus Secondary School featured pupil inclusion of what might be termed teenage jargon words (e.g. “stonkin”, “mingin”) as Scots.” It is therefore crucial to begin lessons in Scots at an earlier age, in order for pupils to be aware of what constitutes Scots, and what is merely Scots sounding slang. These are difficulties associated with a non-standardised language. Without specific rules it can be difficult to determine whether a word is a legitimate part of the language, or if it is slang. ‘Mingin’, the example used by Craig, is included in some Scots dictionaries as a legitimate word. ‘Mingin’ is derived from the Scots ‘ming’ (meaning smell) and is legitimately used as a Scots word in certain regional Scots dialects. Yet clearly there is difficulty in determining whether it actually is a real Scots word, or merely an example of slang. When it is unclear due to the lack of standardisation, it is difficult to accurately teach children correctly. One teacher may consider it a legitimate word, whilst another may not. Reasonable guidelines must be put in place, but must be done so whilst being mindful of the region one is in.

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